Uh, it’s been like 15 months, where have you been?

I forgot I had a blog. Well, not really, but I practically did because of how absolutely off the rails 2019 went. When last we spoke, gentle reader, I was wrapping up Juneicorn in 2018. Then suddenly— ! It was 2019! And then, suddenly— ! It was less than 30 days until THE END OF THE DECADE.

Let that sink in for a moment.

So skipping over the second half of 2018 cuz it was mostly job hunting, training, and freelance work, what exactly went on in 2019 for me? Let’s get caught up. Get a cuppa, this might take a minute.

Fox TV

January started out with wrapping up two longterm freelance projects I had at the end of 2018, Aspen Mascots and some more work for Learning A-Z, but we’ll come back to those. As is the way of the entertainment industry, a sleepy, overcast day where I was deep into Kondo-ing my house got completely flipped on its head with one phone call.

So next thing I knew, I was walking into the Fox TV studios for my first day of work as a Storyboard Revisionist on the show American Dad. I have done quite a bit of storyboard work for independent animated shorts, commercials & whathaveyou, and even in-studio at Snapchat (which I guess I never mentioned in 2017/2018… whoops) but this was my very first job at a traditional animation studio. It’s been a lovely, wonderful rollercoaster ever since. The crew is amazing, the job has been challenging and fun, and I’ve learned more than all 8 years of art school and 6 years of freelance combined in a short 12 months. Take THAT, Master’s Degree!

Aspen Mascots Graphic Novel

February rolled around, and my next piece of amazing news dropped— Aspen Mascots was going to be released as a trade paperback graphic novel! I could hear 2015 Joie “SCREEing” through timespace when I got to hold this baby in my hot lil’ hand! It even had distribution in bookstores and Targets, not just comic book stores!

Conventioneers

But then March was like “hold my beer” because all of the things I had committed to do before getting the job at American Dad started to dovetail, much to my stress levels’ chagrin.

First, I had signed up to do a project that would debut at Emerald City Comic Con with my creative partner Jackie Ball, and it was a real doozy— an interactive comic ARG (alternate reality game; in this case, essentially a scavenger hunt) about two plucky child heroes very into cryptids and paranormal mysteries. This project deserves its own post, so I won’t wax poetic about it now, but needless to say it easily required 500+ hours of work (especially folding and stapling), and I pulled more all nighters than the entirety of my art school days combined. Thank goodness for very good friends who volunteered their time to help us pull this together.

The project went off with several hitches (as projects like these do) but we called it a success! We had at least 6 players fully complete the entire game, AND they said they had fun. Win!!

WonderCon & Mare the Merrier

Second, WonderCon was once again coming up, and because of how busy I’d been, I felt a little underprepared. That said, I still managed to get together a printed release of my one-shot comic The Mare the Merrier! My pretty ponybois were ready to prance their way onto my convention table and spread the joy of their colorful (literally) story to the masses.

Cons are, if you didn’t know, physically, mentally, and emotionally exhausting. They have razor thin profit margins, require a ton of planning, prep work, packing, research, creation of merchandise, hauling, set up, and then 12+ hour days standing at a booth for 3 or more days in a row attempting to sell your wares, all the while eating unhealthy food, drinking absolutely too much, and not getting enough sleep. If you’ve done this even once, you know that to con is to pretty much need to die afterward— and I’d done two of these back to back. And then had to go right back to work on Monday.

SCBWI

THIRD, because March couldn’t have just gotten to this level of “out of control.” No, no, it needed to really twist the knife in my sleeping schedule— I had an article for the SCBWI Kite Tales blog that I’d been asked to write 6 months prior that was due. Had I done it in the 6 month lead up I had? Of COURSE not! I like procrastinating as much as the next artist and BOY did I pay for it. That said, somehow I still managed to both write and illustrate the sucker, and I’m proud of it. You can check it out here!

I also had a great trip to Sacramento for the SCBWI North/Central California Spring Spirit Mini Conference in May. It was just a one day conference, but it was jam packed with great keynote speakers and breakout panels. I was also thrilled to meet a few fellow artists who knew me from my Juneicorns (hi, if any of you are reading!) Which brings me to…

Juneicorn

June. Time for another installment of Juneicorn! I was raring to go, ready for another 30 entries in my series and… if you’re an astute reader you’ll have caught on to having just about burnt myself out so far this year. I ended up with 6. That said, I was focusing more on quality over quantity this year, and I think I delivered. My 6 humorous horses were, I think, much more detailed and better written than the year previous! Maybe in 2020 I can bust out all 30 at this level.

Famous last words.

Hawaii District 2

Continuing in the pattern of “Everything slams together in one month, why oh WHY can’t things be more evenly spaced throughout the year: a memoir by Joie Foster,” I had a work trip to Hawaii in June. Fox TV is a union studio, so that meant that I was able to join The Animation Guild (Local 839), and got to help serve my union by being a delegate to the IATSE District II convention in Honolulu.

Yes, I mean, twist my arm it was in Hawaii, but honestly it was two days of real work to build our union’s image, meet and form connections with other fellow IATSE locals, get updated on important legislation, and other tasks.

Zinefest

ALSO in June was TAG’s Zinefest, which was the last convention for me for the year (and forseeable future, if I’m honest). Thankfully, this one was a way smaller (one room), shorter (4 hours) show that didn’t leave me ready to collapse at the end. It was actually an excellent way to network with fellow Guild members and comics creators, and I had a blast!

Learning A to Z

Lastly in June, my previously mentioned work from January was finally released and I could show it in my portfolio! I worked with Learning A to Z on their ELL Grammar Packs, which focus on teaching verbs. I had some pretty complicated illustrations to compose that were jam-packed with “verb-y” details!

Otis College of Art and Design

Things finally started to calm down after June, and my summer was mostly me trying to get my adult life in order. When you’re this busy, things start to fall by the wayside! Remember the Kondo-ing I’d mentioned in January? Well that hadn’t been finished, so I was back to it.

OH BUT WAIT. There’s a moment to breathe? I could start to bring my shoulders down from around my ears? Nonsense, I’ll have NONE of that.

Once again, everything got turned on its head in August with just one email from Otis College of Art and Design asking if I’d teach their storyboard class. I was hired a hot 24 hours before class began... so there I was the first day of class, having screamed through LA traffic from Fox to Otis, blinking at a room of 20 students all eager to learn… and I didn’t even have a syllabus.

Anyway, it all came together in the end, and my semester teaching thus far has been both challenging and delightful. I swear my students have taught me more about life than I’ve taught them about storyboards, but I digress. The school liked me enough to ask me to teach this coming Spring semester too, so I guess I haven’t sucked too much!

LASIK

During my hiatus (a normal part of television production schedules where there’s a gap of work in between seasons), I also finally fulfilled a lifetime dream of mine: being able to see into the 4th dimension! And by that I mean getting LASIK to correct my absolutely awful eyesight.

Getting surgery on one’s eyes is scary enough, but when your eyeballs are 100% pivotal to the career you’ve built your entire life and identity around… phew. “Scary” is the understatement of the decade (which is almost over so let’s not top that, please?)

But I’m so glad I did it— being able to see better than I ever did with contacts or glasses is one of the best gifts I’ve been able to experience in life thus far. On our annual drive up to Oregon, I was shocked and awed at the gorgeous scenery that I could actually SEE for the first time! Like, in HD detail!!!

Background Design and Site Update

And finally, we’re almost caught up to real time! To help tide me over during my hiatus, I got to do some freelance background design for American Dad. I’ve done quite a lot of backgrounds for animated shorts (and in general with my illustrations and comics work) so it was really fun to do it for a television show! Look for them in the last two episodes of next season!

I’ve also had a chance to finally give my website a bit of a facelift. Inspired by a Post-It piece I did for the Animation Guild’s Post-It Note show, I added a new logo, restructured my pages, and updated just about every part of the site (which you will likely notice just by reading this blog post).

So when I tell people that 2019 was the craziest whirlwind year I’ve ever lived, hopefully you can see that I am not speaking in hyperbole. I can’t even sum things up in a conclusion, so instead have this excellent photo of my Studio Assistant being the Crimmas Tree Gremlin to wrap things up.

So I hope you enjoyed this recap (how many cups of tea did it take you to get through the whole thing?), and that you have a lovely end of your decade.

Did I finish my Kondoing? No. Guess that’s gonna be a two year project now…

Happy 2020, everyone!